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Black Pedals Optimize the order of your guitar pedals surrounding so many so-called “Stereo” processes | Mr. > Second to One: A word about “Stereo Pedals” and the B.S. It’s magical.įor some deeper reading on the subject, here’s a bit of an explanation about the reality behind why some stereo pedals aren’t quite as “stereo” as they say: If you only listen to one amp you can’t hear it.
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The Twin Lazers phaser and Tapex 2 delay are favorites, but the real star is the Stereo Vintage Ensemble, which creates a stereo chorus sound in the room in front of you. Need some recommendations for stereo pedals? I cannot speak highly enough of the whole Mr. Don’t believe me? Well if you’ve got a stereo pedal or two handy, borrow a buddy’s amp and put the stereo feed to the test. If you get stereo modulation, delay, and reverb and use them in conjunction with one another, your guitar tone will be the envy of all your friends, and all their friends too. The key is to utilize stereo pedals wherever possible after the drive portion of your board. I cannot overstate this, the effect is huge.
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But if you’re playing mostly at home or are a pro with the benefit of a crew to help you load in, going stereo can add a ton to your sound. It’s easy to understand why-lugging two amps around is a bit of a pain. Lots of pedals have stereo functionality that goes unused-or at least underused.
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Widen your guitar tone: get your stereo on! If you’ve seen doubler pedals, those will work in a similar way as well, often with a few purpose-built options such as stereo panning, which can add some nice width to your signal as well. Well, slapback delays approximate this effect, without having to build a secret lair and fill it with all the pricey cloning equipment. The small time-variation between your and your clone’s signals would make it clear to the listener than there were two guitars playing, rather than one. Think of it like this-imagine you cloned yourself and paid that clone to play the same part you were playing at all times. Fill out your guitar tone with some slap-back delayĪdding just a touch of slapback delay to your guitar signal can fatten up your tone significantly, depending on the speed and complexity of the part (the effect tends to become more apparent the more notes you have crammed into a single passage, so be judicious). Try to listen to how other instruments sound in each room before adjusting your settings to fit, and above all, remember: how your guitar sounds on stage is not nearly as important as how it sounds out in the audience. While heavy reverb might be appropriate in a CBGB’s-style small club, if you’re playing in a hall, you might not need to add any more reverb than what’s already occurring naturally. Your amp and pedal settings won’t always be able to remain the same from room to room, if you want your guitar to sound the same in each. If you understand what your guitar sound is like ‘in the raw,’ you’ll have a much better idea of how it should be ‘cooked.'” The man produced the Beatles, so he knows a thing or two about these things… Legendary producer George Martin said, “A room is an instrument, and it affects the other instruments.
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These tonal tips are in no particular order, and I did my best to load them full of helpful and useful links, so click away. When you need a little inspiration, come back, pick a tip, and try it out. I hope they serve you well, as they have me.īefore we dig in, you will definitely want to bookmark this page on your browser. In the time I’ve spent doing those things, these are the secret weapons I and people I’ve worked with have used to nail the perfect guitar tone, get out of a rut, or fit better into a mix. I’ve gigged, I’ve recorded, I’ve produced, I’ve run live sound, I’ve worked at record labels, I’ve managed bands, you get the idea.
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Who am I that deigns to tell you how to make your guitar sound/play better? Well, I’m Scott, the string/gear/guitar nerd who founded Stringjoy guitar strings. If nothing else, they’ll be great for busting your way out of a playing rut, or a tonal rut. Keep the ones that work great, toss the ones that don’t. These guitar tone tips should be seen as a guidebook-a list of experiments to try out (though there are a couple of “musts” buried in here as well). So to aid in your playing journey, I’ve put together the most thorough list of guitar tone tips ever assembled, some you’ve probably heard of-or might even be a religious devotee of-others might be totally unfamiliar. No matter how satisfied you are with the way your guitar sounds through your amp, you can always imagine it sounding just a bit better with one little tweak. You’d be hard-pressed to find a guitarist who feels like their guitar tone couldn’t be just a little bit better.
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